In either case, you can select “All Individual Tracks” as an export option. Alternatively, you will be exporting stems for artists to remix. Mixing – You will be exporting stems for a mixing engineer to work with.A high-quality MP3 will be decent enough for this purpose. Listening – If you are simply sending the mix to someone else to listen to for feedback you’ll want a smaller file size that’s easy to share.Your exported audio mix is probably going to one of the 4 general destinations listed below. What’s The Purpose?īefore you can decide on the proper settings, you will need to first need to determine what the mixdown will be used for. In general, you’ll want to maintain the highest bit depth and sample rate possible, while exporting a lossless stereo file.Īt the same time, you don’t want to deviate too much from the settings you are mixing with. In this article, we’ll show you the best Ableton Live export settings for your mixes. Maybe if you’re just listening to demos, but if you’re preparing a final bounce or files for a mixing or mastering engineer, using the right export settings is crucial. As long as you can hear everything well enough, does it really matter? It’s easy to overlook the process of actually rendering your song, or whatever you happen to be working on in Ableton Live. Learn how to change the quality of your exported files.Learn how to set the correct file export length.Confused about the best Ableton Live export settings?.In 2 Monitor In Auto Off Audio To Master A B Sends -Inf 1 S 0 12 24 36 48 60 Track Delay 0.00 ms A B 2 MIDI Midi MIDI From All Ins Monitor Auto Off MIDI To No Output 2 S Track Delay 0.00 ms All Channels A Return A B Sends -Inf A S 0 12 24 36 48 60 Track Delay 0.00 ms A B B Return A B Sends -Inf B S 0 12 24 36 48 60 Track Delay 0.00 ms A B Master 1 2 3 4 5 6 7 8 Cue Out 1 / 2 Master Out 1 / 2 Track Delay 0.Disclosure: We may receive commissions when you click our links and make purchases. BPM 123.00 :2 *2 Beats Trans Preserve 100 Start Set Set Set End 1 1 1 3 1 1 Loop Position Set Length 1 1 1 2 1 1 1 1.1.3 1.2 1.2.3 1.3 1.3.3 1.4 1.4.3 2 2.1.3 2.2 2.2.3 2.3 1 / 32 Midi 4 4 Signature Groove None Commit << << Clip Notes Rev Inv :2 *2 Legato Dupl.Loop Start Set Set Set End 1 1 1 3 1 1 Loop Position Set Length 1 1 1 2 1 1 Pgm Change Bank - Sub - Pgm - D#3-B3 1 1.2 1.3 1.4 2 2.2 2.3 2.4 3 3.2 3.3 3.4 4 Fold C4 127 96 64 32 1 1 / 16 Preferences Look Feel Audio Link MIDI File Folder Library Record Warp Launch Licenses Maintenance Language “Don’t Show Again” Warnings Follow Behavior Hide Labels Permanent Scrub Areas Pen Tablet Mode Zoom Display Track And Clip Colors Auto-Assign Track Colors Default Track Color Clip Color Colors Theme Brightness Color Intensity Color Hue Plug-In Windows Multiple Plug-In Windows Auto-Hide Plug-In Windows Auto-Open Plug-In Custom Editor US-English 100% 100% 0% 0 Mid Light (Default) Scroll Show Track Color On Off Off On On On Restore IO S R M D X Drop Files and Devices Here 1 Audio Audio Audio From Ext. HiQ RAM Transpose Detune 0.00 dB 0 st 0ct Warp Follower Seg. ![]() Q 100 % Gain 0.00 dB Freq 150 Hz Gain 0.00 dB Q 0.75 EQ Eight 8 x4 1 2 3 4 5 6 7 1 2 3 4 12 6 0 -6 -12 100 1k 10k Simpler Audio Midi Audio Midi Mixer Track Volume Mixer Track Volume Mixer Track Volume Mixer Track Volume Audio 4 4 Signature Groove None Commit << << Clip Sample Sample.wav 44.1 kHz 24 Bit 2 cha Edit Save Rev. 0 Key MIDI 2% D Search (Cmd + F) Categories Collections Places Name Raw Amp Audio Effect Rack Auto Filter Auto Pan Beat Repeat Cabinet Channel EQ Chorus Compressor Corpus Delay Drum Buss Dynamic Tube Echo EQ Eight EQ Three Erosion External Audio Effect Filter Delay Flanger Freqency Shifter Gate Glue Compressor Grain Delay Limiter Looper Multiband Dynamics Overdrive Pedal Phaser Redux Resonators Reverb Saturator Red Orange Yellow Green Blue Purple Grey Sounds Drums Instruments Audio Effects Midi Effects Max for Live Plug-ins Clips Samples Packs User Library Current Project New Folder 1 5 9 13 17 21 25 29 33 37 41 45 49 53 57 0:00 0:15 0:30 0:45 1:00 1:15 1:30 1:45 Set IO R M D 1 Track All Ins All Channels Master In Auto Off 1 S 0 C -inf -inf 2 Track All Ins All Channels Master In Auto Off 2 S 0 C -inf -inf 3 Track All Ins All Channels Master In Auto Off 3 S 0 C -inf -inf 4 Track A Reverb All Ins All Channels Master In Auto Off 4 S 0 C -inf -inf A S Post B Delay Master B S Post 1 / 2 0 0 This is an example alert message Simpler Sample Controls Classic 1-Shot Slice Gain 0.0 dB 0.00 % 100 % 100 % 6 0.00 % Start Loop Length Fade Voices Retrig Complex as 1 Beat :2 *2 WARP LOOP SNAP 12 24 Filter Clean Frequency Res 22.0 kHz 0.0 % 0.00 ms 600 ms 0.0 dB 50.0 ms -12.0 dB LFO Attack Decay Sustain Release Volume 1.00 Hz Hz Stereo Mode Scale A Edit On Adapt.
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